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  1. Yesterday
  2. https://mobile.twitter.com/sispurrier/status/1181524358315069440?s=12&fbclid=IwAR0gc1YOEvSMtgKrHm4ZsNIIq89D-8pLRNj1x7A5Z23CdNu3dXN_cj3Llus
  3. Last week
  4. I am liking Hickman's X-Men. It has a different feel to it, but there's also the sense of the classic buried underneath. I'd say it is pretty close to what Ewing is doing with Immortal Hulk. It's not as good as Immortal Hulk (at least not yet), and Hickman is using a lot more in-depth continuity. I don't think a reader unfamiliar with the history of the X-Men would be able to figure out what was going on with most of X-Men #1. Immortal Hulk's use of continuity is much more superficial. It reads as a stand-alone series. I'd best describe X-Men #1 as Chris Claremont meets Grant Morrison meets Arthur C. Clarke. If you haven't read House and Powers of X books, don't bother with X-Men, because it won't make much sense. X-Men #1 continues over directly from the finale of Powers of X, which is why it's released just a week after that series ended. Although, Hickman said that the new X-Men series was going to be done-in-one stories, and that's definitely not what this issue featured. Right now, I'm the most excited I've been with the X-books since Mike Carey was writing X-Men probably, and it's the most interested I've been in the direction of the X-Men since Morrison. I even want to read most of the spin-off "Dawn of X" titles now to see where this is going.
  5. Nothing new for me but Superman Smashes The Klan definitely wins Best Title Of The Week award!
  6. X-Men #1, and...that's it. OK then.
  7. Just Inferior Five out of that lot.
  8. Neil Gaiman's American Gods The Moment Of The Storm #6 Inferior Five #2 Gideon Falls #17
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  10. Earlier
  11. Christian

    DC Comics

    Unless Grant Morrison is writing something, I'll continue my previous commitment to DC, which is not bothering with anything unrelated to Grant Morrison.
  12. Lou K

    DC Comics

    I'm not having any of it.
  13. dogpoet

    DC Comics

    Universe reboots always are, Lou.
  14. Lou K

    DC Comics

    All of this sounds dreadful
  15. Christian

    DC Comics

    So...umm....DC plans to reboot their universe, yet again, with the coming "5G" launch in 2020. They're hinting at another Crisis, I guess. The Finally Final Final Crisis, I'd have to suppose. So., explaining everything about the "New 52", "Convergence", and "Rebirth" eras through Doomsday Clock (I think. I'm not reading that comic) will just settle in the readers minds, when it's time to reboot the entire DCU all over again. Also, instead of a "wizard did it", at DC the answer is "the Watchmen did it". Oh good. I'm glad that DC took the initiative with this to, possibly, explain why Batman seems to be a guy in his 30s instead of 80 years old, because that's something we need more of in comic books. Sounds like Bendis is getting more power at DC.... At least DC using a sliding time-scale isn't as much of a problem as Marvel's, because DC had a lot less usage of real-world events in their comics' history as compared to Marvel. Thanks to Marvel's sliding time-scale all of the wars of the 20th century must have happened since 2002 now. The Marvel Universe is even more of a Hell than our world! I'm guessing sales at DC are looking bad again, which seems to prod DC to reboot their universe yet again and launch all new #1 issues, which increases interest in their comics again for another six months. I'm glad comics are so sustainable as a viable medium for the 21st century. So, 5G (unlike my initial guess of being an all-mobile phone comic book universe) seems to be DC planning to introduce all new heroes to replace their existing heroes. I'm hoping that they're going to create an African-American Superman (no, Grant Morrison, not Obama!), a gay Chinese Batman, a Muslim Green Lantern, and a lesbian Aboriginal Wonder Woman. I want to hear the alt-Right loose their collective minds again on the internet about how "diversity has once again ruined their very existence, and the pain must stop". Then, they'll take a hissy fit and say they're going to boycott DC Comics (which they probably didn't even read to start with) until DC brings back all white, straight, male superheroes. Then, DC will have an excuse for the up-coming sales grab, err....reboot called "6G".
  16. It starts of good, but it really hits a peak with the "Hulk in Hell" story-arc.
  17. Alright then. I’m convinced. I’m gonna look into trades today.
  18. Haven't caught any of the final season yet, are they all done ?
  19. I'd definitely say that Immortal Hulk is a horror comic. It's been quite disturbing at times, and is definitely not a superhero book. It's less of a superhero book that Moore's Swamp Thing, because at least Swamp Thing had morality. There's nothing heroic about this Hulk. There are more similarities, like between General Fortean and General Sunderland though, but that's also part and parcel of Hulk continuity, considering Thunderbolt Ross. I'd also definitely agree about the Moore Swamp Thing comparisons. It's easily accomplishing the same things for the character, although the Hulk is a much more high-profile character,. If I were asked to compare it to another comic book, I wouldn't hesitate to say Moore/Bissette Swamp Thing. Yes, I like this new trend at Marvel to look back at the origins of some of their classic characters and reinterpret them in a completely new direction. It's a good usage of continuity without just writing a tired rehash of the same stories that were done better a few decades ago. Those early Stan Lee/Jack Kirby Hulk comics, they were definitely not a superhero comic. The Hulk has very firm roots in the horror genre, although it didn't last very long before Lee decided to try to make the Hulk a lot more sentimental. Ewing is tapping in to those earliest hints about the direction that the Hulk comic could have gone under Stan Lee, but going somewhere very dark that Lee would have never touched. A sort of Stan Lee meets Alan Moore mysticism. Hickman's X-Men run has been mining some of that same territory. I don't care what people say, I thought there were some good stories in those first couple of Lee/Kirby X-Men comics. That very first issue of X-Men, there's something creepy and unsettling about the mutants when we first meet them. If you were reading that comic in 1963, it would have been a different experience. "Who is this bald guy, calling out to his X-Men? What is this all about?". Hickman also tapped in to that feeling of weirdness that was there in the first Lee/Kirby X-Men comic, but has also mixed in elements of the character-defining Chris Claremont run and Morrison run, to tell a different story about mutants. I like how these creators are going back to what Lee (and usually Kirby) gave us on the comic page, before Lee really figured out what he was doing in creating a superhero universe, and backed away from some of the ideas from the collective unconscious that he seemed to be tapping. Anyway, back to the Immortal Hulk, yeah, this is not only the best "superhero" comic being published today, it's the best horror comic that I've seen in recent years.
  20. Only if you think comics are good. I guess nothing's that good. Maybe it's just the expectation gap between mainstream 2019 superhero comic and the masterclass Al Ewing is giving, backed up by meticulous horror artwork that reminds me of Bissette and Wrightson on Swamp Thing. Ewing has also proudly built the story on the foundations of Hulk history, but it doesn't feel like continuity mining — it feels like what's on the page is just the tip of an iceberg, with a bigger story underneath. Come to think of it, if you look at it as an homage to Hulk in the form of a horror comic, it's amazing.
  21. Does anyone know if Black Mask has gone out of business? It's been a while since I've seen anything published by them. They have a long-delayed comic scheduled to ship in November (Billionaire Killers, which is a few years delayed at this point...), but if that's an old solicitation that will be canceled, I'm not sure. It's a shame if they did go under, because a lot of the names they discovered are working at Marvel now. Although, they seem to be atrocious at putting out monthly comic books. They've had so many delayed, unfinished, or canceled books. The publishers seem to be unable to get the comics out in a timely manner. For a newer publisher, that's not good. Companies like AfterShock (which are even more recent) seem to be able to handle actually publishing comic books. It's sort of been like every writer is a vintage Warren Ellis at Black Mask. Put out two issues, and then never see the title published again.
  22. Christian

    DC Comics

    I don't know. I think it'd be interesting If a writer actually pursued the obvious about Batman living in one of the poorest places in the DCU, yet being one of DC"s richest people. It's never really been fully addressed in the comics. At best, it's just made some writers somewhat uncomfortable. Like, Morrison mentioned it at times during his lengthy run, but never really went anywhere with the idea, even switching the narrative during his final work on Batman Inc. Sean Murphy seemed like he was interested in the idea with his White Knight mini-series (which was even taking place in an alternate reality), but what was on the page was a complete mess and had nothing to do with the idea.
  23. I know. How does anyone write a Hulk comic after Ewing? I'm sure Marvel will just find a way to ignore it. Maybe Ewing even has a reset button worked in to his story, so that it has a definitive ending, and then all the toys can be put back in the box for the next writer. Then, the book will be right back to mediocre stories we've seen done so many times before.
  24. GottaGetAGrip

    DC Comics

    The Batman's Grave #1 - the first issue of Warren Ellis and Bryan Hitch's new Batman comic. Ellis focuses on a weary Alfred grappling with the possibility he might outlive Batman, along with a murder mystery Batman must solve after Ellis has him fill the obligatory quota of swinging around and punching bad guys. Ellis doesn't tread too much new ground here and in fact in one page has Alfred trot out almost word for word the pedestrian Twitter hot take that Batman is a rich psychopath who just likes beating up poor and mentally ill people. I wouldn't say that it was a horrible Batman comic, and fortunately Ellis doesn't waste the entire issue making Hitch draw dialogue-less fight scenes, but for me it didn't distinguish itself enough from all the other Batman books DC has published/is publishing to make me want to follow along in floppies. This is probably the best that Hitch's art looked in years, but I still feel that an Ellis Batman comic would've benefited more greatly from a collaborator like Shalvey or even the artist from The Wild Storm (Jon Davis-Hunt). If you want a Batman comic that emphasizes the detective aspect of his character, this might be worth checking out.
  25. With a bit of hyperbole, Immortal Hulk feels like it's doing for the Hulk what Alan Moore did for Swamp Thing. I'm not sure how the writer who follows what Ewing has done can go back to writing a regular old Hulk Smash comic. (though Marvel and their big red reset button will definitely try their hardest)
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