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Showing content with the highest reputation on 07/20/2019 in all areas

  1. 1 point
    Finally! I found a forum site to discuss all things Hellblazer. Yeah, if this reaction didn't give it away, I was absolutely dying to talk about Hellblazer. I've been a Hellblazer fan for a few months and in those few months, I've read up to Milligan's run just before John gets married and stopped there due to not enjoying what I was reading. This is a character I found so interesting and he's so three-dimensional. It's why I find it really depressing that Johnny boy doesn't get the attention he deserves. It's oddly fitting considering how normal and insignificant John is, but that's why his story is so compelling. Putting him in a world of capes takes away the sense of realism which is funny of me to say because Conjob interacts with mythology and uses magic, but he deals with some very real life issues that he can't always magic or con away. It also means the man can never age again being part of the world of capes, and I find that part really relatable. As John aged and changed, I age and change. Maybe some people want try to escape the fact that they are aging and going to die, and they go to superheroes because they are never changing in a sense. Maybe I'm just fine with the fact that I am going to get old and die eventually. Perhaps that's why I drift towards a character like Vertigo John. I want to see characters develop, get older ,and die and stay dead because real life is just that. There isn't a Lazarus Pit to resurrect your loved ones, becoming part of the Speed Force, or a Kryptonian Regeneration Matrix to make everything all better. Don't get me wrong, I love superheroes, but I'm finding that I'm starting to prefer stories about the everyday joe. Even a godly being such as Morpheus I find more interesting than most capes. I've been reading some of the posts around here about Diggle's run and I am starting to understand why making John's guilt manifest into a baby that he could kill off or attributing all of the bad ordeals John went through to the Golden Boy by the power of coincidence are hurtful to John's development. And I do like the interpretation of the end of Delano's run that it was the last story of DCU John and everything after that was an alternate universe story. There are some really thoughtful people around here.
  2. 1 point
    Well, I was in a pub, drinking a stout at the bar and I noticed this old bloke in his mid 60’s from the corner of my eye in a trench coat sitting in the corner alone just drinking and chain-smoking from a pack of Silk Cuts. He had a very distinctive scar over his left eye. There was this look in his eyes that told me that I should avoid him at all cost, but there was undeniably some deep pain he was carrying around in those eyes. I believed he noticed me looking at him and I looked in a different direction, pretending like I never saw the man. He got up from his seat and started walking towards the entrance. But he stopped where I was sitting and put his right hand on my left shoulder. There was something about his touch. It was like the Devil had touched me and I couldn’t move until he allowed it. The words that came out of his mouth were, “Don’t you worry, old son. I don’t bite.” He had this grin on his face. He removed his hand from my shoulder and left the pub. I didn’t move until the door had closed and I got out of my seat when it had. I opened the door and I was looking in every direction for the man himself, but he had disappeared. I carefully walked back into the pub and sat back down to enjoy the stout I was previously drinking. I asked the barkeep, “Do you know who that man was?” He said to me, “Oh, that would be John Constantine. My advice: best keep your distance from him.” Well in actual reality, I first met John in the pages of Saga of the Swamp Thing #37 by Alan Moore. I found John intriguing because he was this mystery man who messed around with Swamp Thing as a way to train his powers in the Green. I loved Moore’s Swamp Thing and his Constantine so much that I had to check out Jamie Delano’s Hellblazer. I really started loving John’s character during the Family Man storyline and the aftermath of that event.
  3. 1 point
    -I would also recommend his X-Men: Legacy run, which was a solo series for the X-Men character Legion. It was quite different than any of the usual X-title fare. While I haven't watched the TV show, I'm pretty sure that a lot of the show's concept of the Legion character is based on Spurrier's reinterpretation of said character, because the show's character seems to have very little based in Chris Claremont's original characterization (besides the basics). It's really about trying to find your place, or purpose, in the world when you feel like (or are) an outsider. It tackles the fact that David Haller deals with both mental illness and being a mutant, and his attempts to move beyond such, by making his purpose to find a way (an actual way, and not just by fighting) for a minority like mutants to gain acceptance in the "normal world" of humanity. -Plus, Spurrier's run on X-Force was pretty good. Once again, don't let preconceptions about "X-Men" and "X-Force" make you prejudge the title. Spurrier did some quite good work with that series, using the original concept of X-Force back in the bad ol' Liefield days to create a commentary on violence. It shared a lot more in common with his Legion series than with the usual X-Men books. Also, there were some wild and crazy plots that Spurrier used. This one new mutant character (I won't spoil the plot), named Forget-Me-Not, was a very clever idea. -And, there was his Cry Havoc series from Image, which I highly recommend, and was a good showcase for Spurrier's use of his politics, mixed with elements of mythology and folklore.
  4. 1 point
    For continuity purposes his recent work on The Dreaming, but also The Spire and Coda. I liked what I read of Gutsville although that never ended. His book Contact had an air of the Constantine.
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